{"id":1882,"date":"2017-02-14T20:24:39","date_gmt":"2017-02-14T19:24:39","guid":{"rendered":"https:\/\/laespiral.deusto.es\/?p=1882"},"modified":"2017-02-11T18:30:09","modified_gmt":"2017-02-11T17:30:09","slug":"venecia","status":"publish","type":"post","link":"https:\/\/laespiral.deusto.es\/eu\/venecia\/","title":{"rendered":"Venecia"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>La pieza audiovisual &#8220;Venecia&#8221; forma parte de un proyecto de documental sobre la escritora Teresa Arocena, (San Sebasti\u00e1n, 1937), cuya obra permanece bastante desconocida pese a su indiscutible calidad y originalidad.<\/p>\n<p>Arocena colabor\u00f3 como poeta en las revistas donostiarras &#8220;Kurpil Kantil&#8221; y &#8220;Caballo canalla a la calle&#8221;. En 1984 gan\u00f3 el Premio P\u00edo Baroja con la novela \u201cEspejo de extra\u00f1eza\u201d. Fue considerada como una de las voces con m\u00e1s personalidad que surg\u00eda en el \u00e1mbito de la literatura vasca.<\/p>\n<p>Otras novelas suyas son: \u201cPor los r\u00edos va el nav\u00edo\u201d , \u201cMemorias de una \u00e9poca dif\u00edcil&#8221;, \u201cDama\u201d, \u201cLos oficios del azar\u201d y \u201cFamilia de quel\u00f3nidos\u201d.<\/p>\n<p>Las im\u00e1genes de esta pieza son fotograf\u00edas tomadas por la escritora en un viaje a Venecia. El texto corresponde a un fragmento de su diario.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/200650413\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h3>Autor del videomontaje:<\/h3>\n<p><strong>V\u00edctor Gonz\u00e1lez Rubio<\/strong> (Getxo 1966)<\/p>\n<p>Comienza a hacer cortometrajes en los 80.<\/p>\n<p>\u201cPoeta\u201d es Accesit, I Encuentro de cinema Joven 88, Valencia.<\/p>\n<p>\u201cSitio\u201d Silver Award foreing language short, The Philadelphia internacional film festival 1992 y Primer Premio en el II certamen de v\u00eddeo universitario de la UPV.<\/p>\n<p>\u201cTiempos y lugares II\u201d Primer premio del II certamen internacional de video creaci\u00f3n lekuz leku y<\/p>\n<p>\u201cEl verano espa\u00f1ol\u201d Gran Premio del cine vasco, 48 Festival de cine documental y cortometraje de Bilbao .<\/p>\n<p>Imparte cursos, seminarios y talleres de realizaci\u00f3n audiovisual.<\/p>\n<p>&nbsp;<\/p>\n<h3>Interpretaci\u00f3n del texto:<\/h3>\n<p><strong>Carmen Pardo<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; La pieza audiovisual &#8220;Venecia&#8221; forma parte de un proyecto de documental sobre la escritora Teresa Arocena, (San Sebasti\u00e1n, 1937), cuya obra permanece bastante desconocida pese a su indiscutible calidad y originalidad. Arocena colabor\u00f3 como poeta en las revistas donostiarras &#8220;Kurpil Kantil&#8221; y &#8220;Caballo canalla a la calle&#8221;. En 1984 gan\u00f3 el Premio P\u00edo Baroja [&hellip;]<\/p>\n","protected":false},"author":76,"featured_media":1885,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9,17],"tags":[661,660,659,658,663],"class_list":{"0":"post-1882","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulo","8":"category-zona-critica","9":"tag-kurpil-kantil","10":"tag-por-los-rios-va-el-navio","11":"tag-teresa-arocena","12":"tag-venecia","13":"tag-victor-gonzalez-rubio","14":"entry"},"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"La pieza audiovisual &quot;Venecia&quot; forma parte de un proyecto de documental sobre la escritora Teresa Arocena, (San Sebasti\u00e1n, 1937), cuya obra permanece bastante desconocida pese a su indiscutible calidad y originalidad. 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En 1984 gan\u00f3 el Premio P\u00edo Baroja\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Carmen Pardo\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/laespiral.deusto.es\/eu\/venecia\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"eu_ES\" \/>\n\t\t<meta property=\"og:site_name\" content=\"La Espiral - No es solo una revista\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Venecia - La Espiral\" \/>\n\t\t<meta property=\"og:description\" content=\"La pieza audiovisual &quot;Venecia&quot; forma parte de un proyecto de documental sobre la escritora Teresa Arocena, (San Sebasti\u00e1n, 1937), cuya obra permanece bastante desconocida pese a su indiscutible calidad y originalidad. 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Arocena colabor\u00f3 como poeta en las revistas donostiarras &quot;Kurpil Kantil&quot; y &quot;Caballo canalla a la calle&quot;. En 1984 gan\u00f3 el Premio P\u00edo Baroja","og:url":"https:\/\/laespiral.deusto.es\/eu\/venecia\/","article:published_time":"2017-02-14T19:24:39+00:00","article:modified_time":"2017-02-11T17:30:09+00:00","twitter:card":"summary_large_image","twitter:title":"Venecia - La Espiral","twitter:description":"La pieza audiovisual &quot;Venecia&quot; forma parte de un proyecto de documental sobre la escritora Teresa Arocena, (San Sebasti\u00e1n, 1937), cuya obra permanece bastante desconocida pese a su indiscutible calidad y originalidad. Arocena colabor\u00f3 como poeta en las revistas donostiarras &quot;Kurpil Kantil&quot; y &quot;Caballo canalla a la calle&quot;. En 1984 gan\u00f3 el Premio P\u00edo Baroja"},"aioseo_meta_data":{"post_id":"1882","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2024-11-23 00:17:05","updated":"2025-06-04 11:08:48","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/laespiral.deusto.es\/eu\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/laespiral.deusto.es\/category\/zona-critica\/\" title=\"Zona critica\">Zona critica<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/laespiral.deusto.es\/category\/zona-critica\/articulo\/\" title=\"Art\u00edculo\">Art\u00edculo<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tVenecia\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/laespiral.deusto.es\/eu\/"},{"label":"Zona critica","link":"https:\/\/laespiral.deusto.es\/category\/zona-critica\/"},{"label":"Art\u00edculo","link":"https:\/\/laespiral.deusto.es\/category\/zona-critica\/articulo\/"},{"label":"Venecia","link":"https:\/\/laespiral.deusto.es\/eu\/venecia\/"}],"_links":{"self":[{"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/posts\/1882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/comments?post=1882"}],"version-history":[{"count":3,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/posts\/1882\/revisions"}],"predecessor-version":[{"id":1887,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/posts\/1882\/revisions\/1887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/media\/1885"}],"wp:attachment":[{"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/media?parent=1882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/categories?post=1882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laespiral.deusto.es\/eu\/wp-json\/wp\/v2\/tags?post=1882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}